Friday, 6 March 2015

X Factor Production Team are coming to Caffe Concerto!

The X Factor Production Team are coming to Caffe Concerto on Thursday 12th March at 7pm. Who is interested in coming down to showcase their talent to them?  Limited slots available – please email daniel@caffeconcerto.co.uk for a booking and for more information.

Daniel Benisty will be organising singers to perform from 7:30pm to 11pm. Arrival ideally by 7pm, but in some circumstances, he will allow a later arrival. 


If you're interested, contact:

Daniel Benisty 


Good Luck!
Gloria xx

Friday, 4 July 2014

Sentric Music - Music Rights Management

 

This is a great company to affiliate with if you are performing your own songs at your gigs. Please visit their website to learn more about the services they provide.  I've been receiving a quarterly payment through them for the past two years. 






Monday, 23 June 2014

Crafting A Hit: How Many Songwriters Does It Take? ... Guest Post By Mesfin Fekadu

From the Associated Press — How many people does it take to write a hit song? If you're Pharrell, one. If you're Pitbull or Jason Derulo, probably eight — or more.
Billboard's recent Hot 100 chart reflects a group of hits mainly showcasing songs written solely by an act and an additional songwriter or those with seven or eight songwriters, such as Pitbull's "Timber" or Jason Derulo's "Wiggle."
What does it take to craft a hit? Who gets the credit? Is a song written by nearly a dozen people less special than a song with only two or three co-writers?
Pharrell, who has the longest-running No. 1 song so far this year with "Happy," wrote the tune alone.
"You got six, you got 18 people in the room, you don't need me," said Pharrell, who has written hits for Britney Spears and Usher. "Who am I to judge? Just because I do it my way doesn't mean it's going to be the stat(us) quo. (It's) more than likely not going to be the stat(us) quo, as we see."
The songwriters on Katy Perry's No.1 hits range from four ("E.T.") to six ("Dark Horse"). Beyonce and Jay Z's latest smash, "Drunk in Love," lists eight collaborators, and Eminem and Rihanna's "The Monster" was crafted by seven people.
That's in contrast to Lorde's "Royals" and OneRepublic's "Counting Stars" — solely written by Ryan Tedder — to any of the successes from Imagine Dragons' debut album, which credits the four members and occasionally producer Alex da Kid.
"I don't think that there'll probably ever be a time, to be honest with you, that we would sit down with like six songwriters and be like, 'Write an Imagine Dragons song.' It just wouldn't feel right for us," said bandleader Dan Reynolds, who will be honored Thursday night at the Songwriters Hall of Fame ceremony in New York. "I've heard about artists who have a song written for them and they embrace it ... but for us, it's not real to what Imagine Dragons is."
Some of today's hits with a list of songwriters that scroll on and on include others who don't physically write lyrics: Writing credit can also be earned by producers who design the beats, artists who sing the song and add their own flavor, engineers who mix the track and others who work specifically on the melody. The publishing percentage for each person listed on the song varies, though.
"You have a programmer that's in (the studio) and they're like, 'OK, give me a beat Simon.' Simon gives a beat, well now he is a part of the co-write,'" said Linda Perry, who wrote Christina Aguilera's "Beautiful" and hits for Pink.
"It's a crazy jungle in that area. In that room, I don't want to be a part of," she added. "And then you got the guy that's smoking the blunt that's paying no attention and then he's like, 'Hey, say, "Chow down mother, chow down mother." Now that "Chow down mother stoner mother" is now part of the songwriting process, even if he only brought in one word."
Other times, sampling older songs adds to the lengthy list of credited songwriters. Pitbull and Kesha's "Timber" lists eight songwriters, but technically the total would be 11 because it borrows from Lee Oskar's "San Francisco Bay."
The largest group of writers to win the coveted Grammy for song of the year — a songwriter's award — is four, including Beyonce's "Single Ladies (Put a Ring on It)." Other winners with four songwriters include songs by U2, Coldplay, the Dixie Chicks and fun., where band members count for all or most of the writers.
John Legend, who has dominated the airwaves this year with "All of Me," said winning the song-of-the-year Grammy is one of his top goals. He wrote the song with Toby Gad, and said within the music business, the long list of songwriters isn't too shocking.
"But if I were a lay person looking at the credits and I saw six people wrote it, it might turn me off a little bit because you would think it's writing by committee or it doesn't feel as personal," Legend said. "But then when you understand who's involved and how they are involved, you understand it a little bit more."
____
AP Entertainment Writer Nekesa Mumbi Moody contributed to this report.
___
Follow Mesfin Fekadu at twitter.com/MusicMesfin

Friday, 13 June 2014

How To Get Your Band Info Synched Everywhere At Once! Guest Post by Ari Herstand.

To be honest, I had kind of ignored BandPage for the past few years. I used it for one purpose: the Music tab on my Facebook Musician Page. I peripherally saw they had been rolling out other features, but didn't find a reason to use them or really investigate what they were. 

Until last month.

I read a few articles about how BandPage had been striking deals with music companies left and right (Clear Channel, Rdio, Xbox, LyricFind, Livenation, Soundcloud, Rhapsody, and others).

So I sat down with the CEO (via Skype) to get a better glimpse at what BandPage is doing and if it's something bands should pay attention to.

And I was stunned. And inspired. 

J Sider gets it. The 29 year old CEO of BandPage has seen the industry top to bottom. From booking bands in his hometown of Harrisonburg, Virgina to managing the 4,000 cap Saltair theater in Salt Lake City, he's seen the business of music first hand. He saw how it began to fold and is now helping to revive it.

Anyone who says the music industry is dying is defeatist and lacks creativity. We're in the most exciting time the music industry has ever known.

No longer is the industry about who can sell the most music. Or ticket sales.
Yes, download sales are down. Music purchasing is at an all time low. Ticket prices are at an all time high. The old guard is freaking out, while the new players figure out a better way.


Forget having to rely on a broken system.

J Sider saw how people were jumping ship from Myspace to Facebook. Naturally, musicians needed to find them. He created the best music app on Facebook. BandPage was wildly adapted and became the industry standard for music on Facebook back in 2010.

When Facebook completely changed the layout of the Musician Page and moved to the Timeline format in 2012, BandPage's entire business model was rocked. No longer was the BandPage app featured on the main screen of Musician Pages. Sider had to pivot.

And luckily he did.

Sider, along with his team of 40 at BandPage, are creating the best monetization and connectivity platform the industry has ever known.

Connectivity

"Every place where your fans are we want to help you reach them" – J Sider, CEO, BandPage


Click here to read the rest of this fantastic article.

Wednesday, 21 May 2014

Vocal Singing Tips

A couple weeks ago I judged 'TeenStar' a singing competition ran by Open Mic UK and they handed out a little booklet that was full of great tips for aspiring and professional artists.

I'd like to share a few with you!  Here goes ... 
Protecting Your Vocals
Keeping your vocals protected is primarily about lifestyle choices. Two good vocal singing tips are avoid speaking loudly or shouting (no more yelling at your siblings or shouting in nightclubs!), and avoid whispering as this causes the vocal cords to squeeze together tightly, which can create trauma. 
Hydration is one of the most key vocal singing tips, and drinking two litres of fluids a day, especially two hours before a performance, will do your vocals wonders. Avoid smoking, coffee and alcohol, as these will all dehydrate your vocal chords. 
Finally, keeping your general physical health in check, working to reduce any muscular tension in your body, getting enough sleep, and maintaining a happy persona will each allow your vocals to shine.
I hope you have found this weeks tips helpful.

SINGING COMPETITION AUDITION DATES ANNOUNCED

FOR - Open Mic UK 2014!


Saturday, 10 May 2014

How to Make Money from Your Music on an Ongoing Basis! Guest post by Ari Herstand!

Last month I profiled Jeff Price’s Audiam on Digital Music News and how he looks to fix YouTube’s royalty system. That’s all well and good, but even if things worked perfectly in the YouTube royalty world, creators still rely on viewers to click ads. Then for those ads to generate revenue for YouTube and, eventually, sure, the creators. Maybe.

Enter Patreon.
Patreon skips the middlemen altogether and goes directly to the fans. Patreon is a Kickstarter-like service for constant creators. Instead of raising a bulk amount for one big project (like an album), Patreon is for those who create on a regular basis – like YouTubers, musicians, podcasters, bloggers and the like.
“Patrons” pledge a set amount PER CREATION. The average pledge on Patreon is $7. So if you create 3 videos a month, and a fan pledges $7 per video, you would earn $21 from that fan per month.
Jack Conte, a successful YouTuber in his own right (and one half of Pomplamoose), created Patreon because he saw the discrepancy between impact and monetary value.

“I think everyone is embarrassed about their low [YouTube] ad revenue dollars because they read stories about people getting rich off YouTube and they think ‘ugh I’m just not getting enough views. I’m just not smart enough’ And no one wants to speak out and say ‘Yo this model sucks! It doesn’t work for anybody!’ ” – Jack Conte, Co-Founder and CEO of Patreon

Conte (and his co-founder Samuel Yam) launched Patreon in 2013 and it already has built up a user base of 30,000 active patrons and 10,000 creators. Patreon.com gets 2 million page views per month.
The website lists that Patreon is for Musicians, YouTubers, Web Comics, Writers and Bloggers, Indie Gamers, Video Producers, Authors, Podcasters, Animators, Artists, Photographers and “Any creator who wants to share their work.”
Fellow YouTuber, Peter Hollens, is a singer who creates A Cappella videos and has over 558,000 YouTube subscribers. He puts out about 3 videos a month and so far makes $2,745.68 PER VIDEO.
Zach Weinersmith creates comics and books. He has 2,821 patrons and makes $7,777.61 per month.
Cara Ellison reviews video games. She makes $1,938 per article. Contrast that with the starting weekly salary of a New York Times reporter of $1,360.
There’s a woman who makes ASMR videos (which Time Magazine calls “a strange, tingly sensation, known in some corners of the Internet as a brain orgasm.”). She’s at 409 patrons and $2,859 per month.

And now, there's a dude with funny hair who writes blog posts that help independent musicians succeed with their careers.
Patreon can be used by any type of creator putting out regular content.
Unlike YouTube, Conte mentioned that the comments on these creations are 100% positive.
Creators can choose if they’d like to setup their profiles to collect per piece of content or per month. Fans can put a cap on how much they are willing to pledge per month.
Creators can offer perks and rewards (ala Kickstarter) to reward fans who pledge more, but aren’t required to. Unlike Kickstarter, all perks are digital. No breaking the bank on postage or cramping the hand signing lyric sheets.
Patreon just launched the Creation Page where creators can share a direct link to each new creation (video, song, blog, podcast, etc) to their social media so fans are directed to the page with the embedded creation and a link to become a patron. The Creation Pages look very similar to Kickstarter – highlighting the perks on the right side bar.
Like Kickstarter, Patreon takes 5% (after the transaction fee of around 3%).
Following in the footsteps of other tech giants like Steve Jobs and Eric Schmidt, Jack Conte is currently not taking a salary (well the others took $1). Conte says he wants to live off of Patreon as a creator. VP of Operations, Tyler Palmer mentioned that Conte comes to the team and says “Guys, we gotta change the product in this way because I rely on this and I need this as a creator.”
Musicians are putting out more music now than ever. Sure major label artists may only put out an album every 3 years, but Patreon is not for them. Patreon is for musicians and creators who put out regular content to connect with fans on an ongoing basis.
Fans will pay you for music. Ask them. Don’t make them.
I just launched my Patreon page for Ari's Take. Check out my page, become a patron and see how it works. Browse the site and launch one of your own!

Friday, 2 May 2014

If You're Not Selling Tickets & T-Shirts, You Don't Even Matter ... Guest Post by Ari Herstand!

ticketsandtshirts_main
This past Saturday I caught the Building Your Team panel at the ASCAP EXPO at the Loews Hollywood Hotel. The panel included entertainment attorney, Josh Binder Esq., artist manager, Marcus Grant from The Collective, business manager, Sean Welch, and A&R rep Walter Jones from Sony/ATV Publishing.
They discussed what they look for in a client, when artists are ready for representation and how to build the team.
The sentiment that sums up the entire talk came from the artist manager, Marcus Grant, when asked how artists can get his attention. He said:

“If You’re Not Selling Tickets and T-Shirts, You Don’t Even Matter.”

One of the most frequent questions I get asked is “how do I get a manager.” But the simple answer is: you don’t find a manager, a manager finds you.
Grant also revealed the hard truth to the room full of musicians:

“You’re not going to get a record deal by asking for a record deal.”

Believe me, I understand how frustrating it can be to think you’re ready for representation only to be greeted by cold shoulders and silence.
But that should not be discouraging, it should be inspiring. Inspiring to get better.
Can you sellout a club in your hometown? Or a club in any town? Are you getting hundreds of thousands of plays on YouTube, SoundCloud or Spotify? If not, then why do you think big players in this industry are going to care about you?
They want to know that you are proven. You don’t have to have the full package set in stone, but you have to be making some waves somewhere.

Engagement

Having a million twitter followers doesn’t mean anything if only 100 of them are actively engaged. If that’s the case, “you just have a lot of spies,” Grant joked. But it’s true. You don’t need Lady Gaga #littlemonsters engagement, but you need some influencing power that will get people to actively go out of their way to proselytize for you.

“When You Create A Business, People Will Come To You”
- Marcus Grant, Artist Manager, The Collective

You have to be killing it in at least one area of your music career before people will pay attention. If you want to work the YouTube angle, then model successful YouTubers, get high quality video up every week and start to build a solid subscriber base. If you want to work the Twitter angle, then study up on building a Twitter fan base and ENGAGE. If you’re a DJ, take over SoundCloud. If you’re working the grassroots, live scene then sellout your local venues and become the biggest band in your scene. Start touring and building a real ticket buying following.
Once you’re at a level where things are starting to happen, then people will take notice. If the right people aren’t taking notice (while things are actually happening), then it may be time for you to hire an entertainment attorney to get you in the door with a manger FIRST.
But don’t take the first manager who says yes. If the manager takes the meeting then she’s obviously interested. Ask her what she can do for you. What are her 3 year and 5 year goals for you. What tours does she see you supporting? What producers, labels, publishers or booking agents does she see you working with?
Remember, the gut check is the most important check before hiring anyone on your team.
Depending on the manager’s vision, she can start bringing others onto your team, like an agent, label, publicist, publisher and business manager. These people can manage the macro side of your career.
But you need to also have either a personal manager, a “best friend manager,” or yourself, to micromanage all of the day-to-day duties to build and sustain a career in the modern age of music.

“It’s up to me to build the story. I’m not promising you anything. My job is to build the best bridge to get you wherever you need to go.” – Marcus Grant, Artist Manager, The Collective

Ari Herstand is a Los Angeles based singer/songwriter and the creator of Ari’s Take. Listen to his new album, Brave Enough, on Spotify or download it on BandCamp. Follow him on Twitter: @aristake